Masterclass Notes and Accompaniment Tracks
Introduction Tempo Match: Maurice Gendron and the Orchestre des Concerts Lamoureux, conducted by Pablo Casals Contents I. Allegro Moderato II. Adagio III. Rondo: Allegro Play this simple and elegant concerto with…
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Introduction Tempo Match: Maurice Gendron and the London Symphony Orchestra, conducted by Raymond Leppard Contents I. Moderato II. Adagio III. Allegro Molto Play this simple and elegant concerto with an orchestra!…
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Introduction Tempo Match: Jack Brymer and the London Symphony Orchestra, conducted by Colin Davis Contents I. Allegro II. Adagio III. Rondo: Allegro Play this simple and elegant concerto with an orchestra!…
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Introduction Tempo Match: Aurèle Nicolet and the Münchener Bach-Orchester, conducted by Karl Richter Contents I. Allegro Aperto II. Andante Ma Non Troppo III. Allegro Play this simple and elegant concerto with an…
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Introduction Tempo Match: Manuela Wiesler and the Helsingborg Symphony Orchestra, conducted by Philippe Auguin Contents Complete Work (Orchestra and Piano accompaniments) Play this masterpiece with an orchestra! Our unique product includes the…
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Introduction Tempo Match: Sam Preston and the Orchestra Camerata, conducted by Markus Janen Contents I. Allegro II. Adagio III. Rondo:Allegro For the first time ever, you can play Hoffmeister’s Viola Concerto…
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Introduction Tempo Match: Bernard Garfield and The Philadelphia Orchestra, conducted by Eugene Ormandy Contents I. Allegro II. Andante Ma Adagio III. Rondo: Tempo di Minuetto Play this simple and elegant concerto…
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Introduction Tempo Match: Rodion Tolmachev and The Mariinsky Theatre Orchestra, conducted by Ivan Stolbov Contents I. Allegro ma non troppo II. Adagio III. Rondo: Allegro Play this simple and elegant concerto…
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Analysis Largo Form: Through-composed. G Minor LARGO: Bars 1-7: Introduction, G minor, with some tonal ambiguity due to the absence of the tonic triad. It begins with an arpeggiated Neapolitan 6th…
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Analysis Andantino Form: Scherzo. F Major The opening passage has a gentle, nostalgic character, with very soft dynamic levels. The use of a recurring iambic rhythm (weak-strong, e.g. quaver-crotchet/eighth note-quarter…
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