Monthly Archive: May 2018

Analysis Prelude SUMMARY: This Period is constructed upon the figures seen in the above bars. Bars 1-24: Period I. Ending with a Perfect Cadence in Dominant Major, D sharp; double bar. Bars…
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Analysis Prelude SUMMARY: Bars 1-9: Period I. Starting in A major, it begins to work towards the Dominant at Bar 6. Ending with a Cadence in the key of the Dominant, E….
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Analysis Prelude SUMMARY: This Prelude is built upon the following figures (Bar 1: Theme I, Bass; Theme II, Treble), which change places with each other, at the distance of one…
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Analysis Prelude SUMMARY: This Prelude is built mainly upon the figure seen in the first three bars above, which is frequently used by contrary motion as the movement proceeds. The…
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Analysis Prelude SUMMARY: Bars 1-24: Period I. Ending with a Perfect Cadence in the key of the Tonic Minor, B flat. Bars 21-41: Period II.Ending with a Perfect Cadence in the key of…
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Analysis Prelude SUMMARY: This Prelude is constructed mainly upon the following figure seen above. Bars 1-12: Period I. Ending with a Perfect Cadence in the key of the Dominant, F sharp….
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Analysis Prelude SUMMARY: Bars 1-17: Period I. Ending with a Perfect Cadence in the key of the Relative Major, D. Bars 17-41: Period II. Ending with a Perfect Cadence in the key of the…
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Analysis Prelude SUMMARY: Bars 1-21: Period I. Establishes Tonic key, E minor, and visits Relative Major in Bars 4-9. Touches E minor and C major (in a sequence in Bars 9-10),…
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Analysis Prelude SUMMARY: Bars 1-8: Period I. Cadence in the Relative minor. Bars 9-15: Period II. Modulatory. Bars 15-18: Period III.  REMARKS: This Prelude is founded upon the characteristic figure as seen in Bar 1…
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