Monthly Archive: April 2018

Analysis First Movement (Allegro moderato) Form: Rondo Sonata Form. D major. PART I – EXPOSITION (Bars 1-53): Bars 1-10: First Subject. Tonic key, D Major. Ends with Perfect Cadence. Bars…
Read more

  Analysis First Movement (Allegro Moderato) Form: Sonata Form. F Major.  EXPOSITION (Bars 1-47): Bars 1-13: First Subject. Tonic key, F Major. Ends with a Perfect Cadence. Bars 13-21: Bridge…
Read more

Analysis First Movement (Allegro) Form: Sonata Form. E Minor.  EXPOSITION (Bars 1-45): Bars 1-8: First Subject. Tonic key, E minor, ends with Imperfect Cadence. Bars 9-29: Bridge Passage or Episode….
Read more

Analysis First Movement (Allegro) Form: Sonata Form. Eb Major.  EXPOSITION (Bars 1-65): Bars 1-13: First Subject. Tonic key, E flat Major, ends with a Perfect Cadence. Bars 13.5-25: Bridge Passage…
Read more

(Bar Analysis First Movement (Allegro) Form: Sonata Form. Eb Major.  EXPOSITION (Bars 1-43): Bars 1-8: First Subject. Tonic key E flat Major, Tonic Chord is immediately followed by Tonic Chromatic…
Read more

Analysis First Movement (Allegro Con Brio) Form: Sonata Form. C Major.  EXPOSITION (Bars 1-68): Bars 1-13: First Subject. Tonic key, C Major, ends with Imperfect Cadence. Bars 13-36: Bridge Passage…
Read more

Analysis First Movement (Andante Con Espressione) Form: Air with Variations. C Major.  THEME (Bars 1-10): Theme. Tonic key, C Major, modulates to Dominant key, G Major (Bar 6), to end…
Read more

Analysis First Movement (Allegro) Form: Sonata Form. C Major.  EXPOSITION (Bars 1-53): Bars 1-15: First Subject. Tonic key, C Major. Tonic Pedal-point (C) Bars 1-6; combined Tonic (C) and Dominant…
Read more

Analysis First Movement (Allegro Con Brio) Form: Sonata Form. D Major.  EXPOSITION (Bars 1-40): Bars 1-8: First Subject. Tonic key, D Major, ends with Perfect Cadence. Bars 9-16: Bridge Passage…
Read more

Analysis First Movement (Allegro moderato) Form: Sonata Form. C Minor.  EXPOSITION Bars 1-9: First Subject Bars 10-26: Transition Bars 26-31: Second Subject Bars 32-37: Closing Subject DEVELOPMENT Bars 38-68: Development…
Read more